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school band sheet music

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Stephen
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Smetana: Salon Polka #1, for String Quartet

Smetana's earliest success came playing his piano compositions, particularly Czech national dances set in a style derived from Chopin. This polka from Op. 7 is a beautiful example of the genre, and translates particularly well to strings. His two string quartets, written much later, both contain polka movements.



Genre: Classical


Instruments: Violin, Viola, Cello


Tags: String Quartet, Bedrich Smetana, Romantic

Price : $4.50 Add to cart
Description Instrument Size
11246 Salon Polka #1, Score score 121.89KB Preview


21246-1 Salon Polka #1, Violin I Violin 63.65KB Preview


21246-2 Salon Polka #1, Violin II Violin 52.51KB Preview


21246-3 Salon Polka #1, Viola Viola 49.11KB Preview


21246-4 Salon Polka #1, Cello Cello 45.96KB Preview


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Composer of the week

school band sheet music Henry Pool

 

Henry Pool is born on June 12, 1939 in Amsterdam, Netherlands, as the second of four siblings, all boys. His family suffered with the rest of the Dutch nation the horrors or the Second World War. After the war he went to elementary school, high school and teachers’ seminary. He worked seven years as a teacher in Amsterdam, then emigrated to Israel. After a short sojourn in kibbutz Sha’alvim he joined begin 1967 a Rabbinical College in Netivot. In 1969 he married Lilette Sroussi, a girl from Paris, France, who emigrated to Israel in 1968. During the years the couple has been blessed with five children. In 1974 they moved to Jerusalem, where he started to work as a graphic artist. In 1988 they emigrated to the USA, where they still live, now as American citizens. In the USA he worked as a computer operator. In 2004 he retired.

His career as an composer has been a difficult one. Beside one year (at age 8) of piano lessons he never got any professional training. He has learned by playing the piano, studying the compositions he played, listening to classical radio and recordings and from books on composition, harmony, counterpoint, orchestration, etc.. His first compositions were written in some late-romantic impressionistic way. Later he destroyed all of them, because he found his own style, which is a modern classic-romantic one with elements of the Jewish music, which explains, why he is using different modes, like the dorian, the phrygian, the lydian and the mixolydian, beside de standard major and minor. So, a composition in C-so is written in the mixolydian (the so-) mode on the absolute scale of C. Certainly there are  also elements coming from his native country, the Netherlands, while new elements, coming from the American musical world are now entering his musical language.