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school band sheet music

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Stephen
Levintow


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Donizetti: Una furtiva lagrima, for String Quartet

L'elisir d'amore (The Elixir of Love) is one of the comic masterpieces of the bel canto era. The reflective tenor aria Una furtiva lagrima (A furtive tear) is its most beloved melody.



Genre: Classical


Instruments: Violin, Viola, Cello


Tags: String Quartet, Gaetano Doizetti, Romantic, Opera, Italian, L'elisir d'amore, The Elixir of Love

Price : $2.50 Add to cart
Description Instrument Size
11265 Una furtiva lagrima, Score score 76.19KB Preview


21265-1 Una furtiva lagrima, Violin I Violin 46.30KB Preview


21265-2 Una furtiva lagrima, Violin II Violin 41.89KB Preview


21265-3 Una furtiva lagrima, Viola Viola 40.25KB Preview


21265-4 Una furtiva lagrima, Cello Cello 40.58KB Preview


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Composer of the week

school band sheet music Henry Pool

 

Henry Pool is born on June 12, 1939 in Amsterdam, Netherlands, as the second of four siblings, all boys. His family suffered with the rest of the Dutch nation the horrors or the Second World War. After the war he went to elementary school, high school and teachers’ seminary. He worked seven years as a teacher in Amsterdam, then emigrated to Israel. After a short sojourn in kibbutz Sha’alvim he joined begin 1967 a Rabbinical College in Netivot. In 1969 he married Lilette Sroussi, a girl from Paris, France, who emigrated to Israel in 1968. During the years the couple has been blessed with five children. In 1974 they moved to Jerusalem, where he started to work as a graphic artist. In 1988 they emigrated to the USA, where they still live, now as American citizens. In the USA he worked as a computer operator. In 2004 he retired.

His career as an composer has been a difficult one. Beside one year (at age 8) of piano lessons he never got any professional training. He has learned by playing the piano, studying the compositions he played, listening to classical radio and recordings and from books on composition, harmony, counterpoint, orchestration, etc.. His first compositions were written in some late-romantic impressionistic way. Later he destroyed all of them, because he found his own style, which is a modern classic-romantic one with elements of the Jewish music, which explains, why he is using different modes, like the dorian, the phrygian, the lydian and the mixolydian, beside de standard major and minor. So, a composition in C-so is written in the mixolydian (the so-) mode on the absolute scale of C. Certainly there are  also elements coming from his native country, the Netherlands, while new elements, coming from the American musical world are now entering his musical language.